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Thea Moeller
Veranda Louisiana
7.2. – 20.3.2015
- > A. Se Fragmentz are perzeived äs se Remainz of a System, while se
- > Dekonstruktion of se System in fragmented Splittersz was döne eiszer
- > szrough Aging or Äkts of Viölence, may szey have been deliberatt or
- > coinzidentall. A Specialform of Fragmenting a System is se
- > experimentall Dekonstruktion of it, wiszout rewealing se strukturall
- > Konstruktion of se System szrough se Experiment. Szis Failure of se
- > Experiment makes it den unpossible to reunite se fragmented
- > Elements to a new Entity.
- > > B. Se Produktion of Art is bound to a permanent Appropriation and
- > > Redefinition of MATERIAL, bozs physikall and theoretikall, like
- > > Art Historie, any Form of Topick, or se Exibition Space itself.
- > > When does se Appropriated turn to a Reproduktion of automated
- > > Äkts? How cän someszing be redefined over and over again,
- > > wiszin se own Art Praktize?
- > > > C. Heterögeneöus Elementz of Gestaltung kann only be put in
- > > > Relätion to each oszer under formal Konditions, like späcial or
- > > > temporall Främing, wiszout ever reaching any Systemkonnektion.
- > > > > D. Single Elements fromm different Kontexts of Gestaltung are
- > > > > putt togeszer in se Form of a KOLLAGE, in szat Way, szat se
- > > > > Origins of se various Elements are no longer underständable.
- > > > > > E. What is it, szat have to be changed, when a Definition
- > > > > > does not work any longer? Se Definition or szat, what is
- > > > > > defined? Redefining Standardized Szinking szrough
- > > > > > permanent Redefinition of Everyday Banalities.
- > > > > > > F. Se Unifikätion of Elements to a systematik Order is
- > > > > > > regarded äs absolutely unpossible.
- > > > > > > Se Fragments stay isolated also to one anoszer.
- > > > > > > It is generally doubted, szat you can put szrough a single
- > > > > > > Stil in your whole Gestaltung, and szat se Elements of szat
- > > > > > > Stil are a Unity in se End szat has se Klaim to be a System.
- > > > > > > It is also doubted äs well, szat se Klaim on a Unity äs se
- > > > > > > Idea of se Perfekt, can be reached by fulfilling a normativ
- > > > > > > Kanon of Gestaltung. At se same time it is unpossible
- > > > > > > to see se Persönality of se Artist äs so certain and
- > > > > > > unchangeable, szat only because it is se same Person szat
- > > > > > > did se fragment-like Gestaltungen, you now can see diss
- > > > > > > fragmented Doings äs a reasonable Unity.
- > > > > > > > G. THEA MOELLER (*1985 HANNOVER) 2014
- > > > > > > > DIPLOM AN DER AKADEMIE DER BILDENDEN
- > > > > > > > KÜNSTE WIEN LEBT UND ARBEITET IN WIEN
- > > > > > > > (Wien besteht aus Bitumenbahnen, Dachpappe,
- > > > > > > > Spanplatten, Leimholz, Dachlatten, Schaumstoff, Folie,
- > > > > > > > Lack, Dispersionsfarbe, Schrauben, Gewindestangen,
- > > > > > > > Stahl, verzinktem Metall, Gummi, Spanngurten und
- > > > > > > > einem Diaprojektor)
- > > > > > > > > H. Exzerpts fromm: Bazon Brock: Se RUIN as Form
- > > > > > > > > of Mediätion between Fragment and Totalitie and
- > > > > > > > > Thea Moeller: Sat is Quicksand, sat ain´t Mudd.
- > > > > > > > > www.theamoeller.de / www.deborahschamoni.com
- > > > > > > > > Tränslätion: Franz Zar
Jonathan Penca
I look across there and then I can‘t see the potato
7.2. – 20.3.2015
After a little while she said, tapping again with her paper knife on the lists: “You know it’s all true. You know it’s impossible.” There was an obstinate silence.
“And it’s true that you’ve been neglecting some of your work. That won’t do, Sister. It must be done faithfully and conscientiously all round. And your clothes are untidy and lately you’ve been unpunctual. That’s all true, isn’t it?”
“Yes Sister.”
“Why?”
Sister P waited before she answered; when she did she seemed startled by what she said. “It interrupts,” she said in surprise.
Before Sister C had time to speak she burst out: “Then you mean I can have none of this for the garden?”
Sister C handed back the lists. “Go and consult Nima. You know what you can spend. Go and think it all over.”
And urgently she repeated: “Go and think it all over.”
(From Black Narcissus, by Rumor Godden)